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The Music of the Other. New Challenges for Ethnomusicology in a Global Age. 9780754653431

The Music of the Other. New Challenges for Ethnomusicology in a Global Age

Ashgate Publishing. 2007

Ficha técnica

  • EAN: 9780754653431
  • ISBN: 978-0-7546-5343-1
  • Editorial: Ashgate Publishing
  • Fecha de edición: 2007
  • Encuadernación: Rústica
  • Dimensiones: 24x15
  • Idioma: Inglés
  • Traductor: Carla Ribeiro
  • Nº páginas: 108

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We are surrounded by new musical encounters today as never before, and the experience of musics from elsewhere is progressively affecting all arenas of the human conscience. Yet why is it that Western listeners expect a certain cultural and ethnic 'authenticity' or 'otherness' from visiting artists in world music, while contemporary musicians in Western music are no longer bound by such restraints? Should we feel uncomfortable when sacred rites from Asia or Africa are remade for Westerners as musical entertainment? As these thorny questions suggest, the great flood of world musics and of their agents into our most immediate cultural environment is not a simple matter of expanding global musical exchange. Instead, complex processes are at work involving the growth of intercontinental tourism, the development of new technologies of communication and our perceptions both of ourselves and of the new musical others now around us.

Elegantly tracing the dimensions of these new musical encounters, Laurent Aubert considers the impact of world musics on our values, our habits and our cultural practices. His discussions of key questions about our contemporary music culture widen conventional ethnomusicological perspectives to consider not only the nature of Western society as a 'global village' but also the impact of current Western demands on the future of world musics and their practitioners.

CONTENIDO:

Foreword by Anthony Seeger
Preface
The elsewhere of music: paradoxes of a multicultural society
Shared listening, an ethnomusicological perspective
Tradition in question: a problem of boundaries
The paradox of the concert, or the evocation of tradition
An artist's life, or the challenge of representation
The art of hearing well: a sketch typology of the listener
The invention of folklore, or the nostalgia of origins
World music, or the last temptation of the West
The great bazaar: from the meeting of cultures to the appropriation of the exotic
Learning the music of the other: a transcultural itinerary
The fascination of India: lessons from personal experience
References
Index



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